

Jean-Luc Godard (Garrel) squabbles with wife Anne Wiazemsky (Martin) as 1968 bubbles around him. Starring Louis Garrel, Stacy Martin, Bérénice Bejo, Micha Lescot, Grégory Gadebois, Jean-Pierre Mocky, Marc Brun Adryan.
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Full review DCĭirected by Michel Hazanavicius. It’s a humble sort of film, but it has a sincerity and focus that argues for attention. Arriving just in time to enlighten and inform, this modestly budgeted drama highlights the pressures imposed on Irish women seeking abortion in the first half of 2018 (and possibly beyond). Club, limited release, 85 minĪ young swimmer, poised for Olympic glory, discovers that she is pregnant. Full review/trailer DCĭirected by Daniel Holmes. This time round they’ve toned down the recreational sexism. It’s probably a bit of both and Reynolds’s relish is, for the most part, passed on to the audience. Depending on your appetites, the constant self-reference is either a shameful cheat or a release from the superhero sameness. He blows his chance (obviously) during an encounter with a young mutant. 16 cert, general release, 120 minĭeadpool is rescued by the X-Men after falling into suicidal despair. Starring Ryan Reynolds, Josh Brolin, Zazie Beetz, Leslie Uggams, Morena Baccarin, Brianna Hildebrand, Julian Dennison, Stefan Kapicic, TJ Miller, Terry Crews. But working from Mark O’Halloran’s fiendishly clever script, the December Bride director and dexterous editor Mick Mahon have fashioned a project as elegant as its subject. The film’s marriage – or rather menage – of talking heads, artistic flâneurism and historical recreation ought to make for a screaming match, or at the very least uneasy transitions.

G cert, limited release, 81 minīy any reasoning, O’Sullivan’s hybrid portrait of the art collector and gallery founder Hugh Lane simply shouldn’t work. Starring Tom Vaughan-Lawlor, Gemma-Leah Devereux, Michael Gambon, Marty Rae, Derbhle Crotty, Barry McGovern, Ned Dennehy. Full review TBĭirected by Thaddeus O’Sullivan. Clemence Carre’s fluid editing and Emilie Noblet’s naturalistic cinematography provide perfect complement to Dosch’s soaring, free-spirited turn. A white-knuckle sense of emotional freefall powers every fraught scene. Think the same, messy axis as Chantal Akerman’s Jeanne Dielmann or Phoebe Waller-Bridge’s Fleabag. She does, however, have her former lover’s cat. Paula (the remarkable Dosch), the rudderless, ridiculous, rapturous 31-year-old heroine of this wonderful, kinetic film, has no money and no place to stay. Starring Laetitia Dosch, Grégoire Monsaingeon, Souleymane Seye Ndiaye, Léonie Simaga, Nathalie Richard, Erika Sainte, Lilas-Rose Gilberti-Poisot, Audrey Bonnet.
